Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Aug 13, 2010

Publications of International Institute for Asian Studies (IIAS)

International Institute for Asian Studies (IIAS)


Asian Literary Voices. From Marginal to Mainstream




Author(s): Philip F. Williams (ed)

ISBN: 978 90 8964 092 5

Publisher: Amsterdam University Press

Publication year: 2010

Pages 176

Price € 37,50


Tracks and Traces. Thailand and the Work of Andrew Turton




Author(s): Philip Hirsch & Nicholas Tapp (eds)

ISBN: 978 908 964 249 3

Publisher: Amsterdam University Press

Publication year: 2010

Pages 168

Price € 27,50


South Asian Partition Fiction in English. From Khushwant Singh to Amitav Ghosh




Author(s): Rituparna Roy

ISBN: 978 90 8964 245 5

Publisher: Amsterdam University Press

Publication year: 2010

Pages 180

Price € 27,50


Varieties of Religious Authority: Changes and Challenges in 20th Century Indonesian Islam




Author(s): Azyumardi Azra, Kees van Dijk, Nico J G Kaptein (eds)

ISBN: 978 981 230 940 2

Publisher: ISEAS/IIAS

Publication year: 2010

Pages 211

Price USD $39.90


State, Society and International Relations in Asia




Author(s): Mehdi Parvizi Amineh

ISBN: 978 90 5356 794 4

Publisher: Amsterdam University Press

Publication year: 2010

Pages 312

Price € 44,50


Frameworks of Choice. Predictive and Genetic Testing in Asia




Author(s): Margaret Sleeboom-Faulkner

ISBN: 978 90 8964 165 6

Publisher: Amsterdam University Press

Publication year: 2010

Pages 272

Price € 42,00


Asian Cross-border Marriage Migration. Demographic Patterns and Social Issues




Author(s): Wen-Shan Yang, Melody Chia-Wen Lu

ISBN: 978 90 8964 054 3

Publisher: Amsterdam University Press

Publication year: 2010

Pages 264

Price € 42,00


Modernization, Tradition and Identity. The Kompilasi Hukum Islam and Legal Practice in the Indonesian Religious Courts




Author(s): Euis Nurlaelawati

ISBN: 978 90 8964 088 8

Publisher: Amsterdam University Press

Publication year: 2010

Pages 296

Price € 42,00


China with a Cut. Globalisation, Urban Youth and Popular Music




Author(s): Jeroen de Kloet

ISBN: 978 90 8964 162 5

Publisher: Amsterdam University Press

Publication year: 2010

Pages 264

Price € 42,00


Decentralization and Regional Autonomy in Indonesia: Implementation and Challenges




Author(s): Coen J G Holtzappel, Martin Ramstedt (eds)

ISBN: 978 981 230 820 7

Publisher: ISEAS Publications

Publication year: 2009

Pages 433

Price US$79.90

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May 7, 2010

Wikipedia Now Lets You Order Printed Books

Image representing PediaPress as depicted in C...Image via CrunchBase

Wikipedia’s launching a new feature for English readers: The ability to create custom books from Wikipedia’s huge bank of free content. Because of the way Wikipedia’s images and copy are licensed, they’re free for anyone to access, use and share in this way.

PediaPress is a book publisher for wiki content; it’s in a long-term business relationship with Wikipedia () to print these books. PediaPress now offers paperbacks and will soon add hardcover books to its catalog, as well.

The price of each book varies, depending on the number of pages; paperbacks start at $8.90. Users can also simply download a PDF of the “books” they create.

The book-creating tools are built into the website. Starting today, users will see a “create a book” button in the print/export section of the left sidebar.

“When I came up with the idea, my colleagues told me my shower was probably too hot,” said PediaPress Managing Director Heiko Hees in a release this morning. “But I was tired of reading on the screen. I believe that in this hectic age people cherish their offline moments more and more. You wish you could access the most extensive and up-to-date knowledge in offline moments – on the train, at the seafront, in your bed.”

Compared to other services that have attempted to tackle this problem, like e-readers, Wikipedia has the disadvantage of only offering non-fiction content and having content that can and does change periodically.

But PediaPress has two distinct advantages. First, content can be customized around any topic or topics the user desires. The ability to curate content is one of the hallmarks of the latest wave of digital creativity. Second, this medium is the absolute best for those who choose to spend time offline; you’ll never need a power adapter or an Internet () connection to enjoy a book.

PediaPress is already up and running in 17 languages, serving 33 countries.


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Feb 23, 2010

Publishing: The Revolutionary Future

By Jason Epstein

The transition within the book publishing industry from physical inventory stored in a warehouse and trucked to retailers to digital files stored in cyberspace and delivered almost anywhere on earth as quickly and cheaply as e-mail is now underway and irreversible. This historic shift will radically transform worldwide book publishing, the cultures it affects and on which it depends. Meanwhile, for quite different reasons, the genteel book business that I joined more than a half-century ago is already on edge, suffering from a gambler's unbreakable addiction to risky, seasonal best sellers, many of which don't recoup their costs, and the simultaneous deterioration of backlist, the vital annuity on which book publishers had in better days relied for year-to-year stability through bad times and good. The crisis of confidence reflects these intersecting shocks, an overspecialized marketplace dominated by high-risk ephemera and a technological shift orders of magnitude greater than the momentous evolution from monkish scriptoria to movable type launched in Gutenberg's German city of Mainz six centuries ago.

Though Gutenberg's invention made possible our modern world with all its wonders and woes, no one, much less Gutenberg himself, could have foreseen that his press would have this effect. And no one today can foresee except in broad and sketchy outline the far greater impact that digitization will have on our own future. With the earth trembling beneath them, it is no wonder that publishers with one foot in the crumbling past and the other seeking solid ground in an uncertain future hesitate to seize the opportunity that digitization offers them to restore, expand, and promote their backlists to a decentralized, worldwide marketplace. New technologies, however, do not await permission. They are, to use Schumpeter's overused term, disruptive, as nonnegotiable as earthquakes.



Gutenberg's technology was the sine qua non for the rebirth of the West, as if literacy, scientific method, and constitutional government had been implicit all along, awaiting only Gutenberg to throw the switch. Within fifty years presses were operating from one end of Europe to the other, halting only at the borders of Islam, which shunned the press. Perhaps from the same fear of disruptive literacy that alarmed Islam, China ignored a phonetic transcription of its ideographs, attributed to a Korean emperor, that might have permitted the use of movable type.

The resistance today by publishers to the onrushing digital future does not arise from fear of disruptive literacy, but from the understandable fear of their own obsolescence and the complexity of the digital transformation that awaits them, one in which much of their traditional infrastructure and perhaps they too will be redundant. Karl Marx wrote of the revolutions of 1848 in his Communist Manifesto that all that is solid melts into air. His vision of a workers' paradise was of course wrong by 180 degrees, the triumph of wish over experience. What melted soon solidified as industrial capitalism, a paradise for some at the expense of the many. But Marx's potent image fits the publishing industry today as its capital-intensive infrastructure—presses, warehouses stacked with fully returnable physical inventory, its retail market constrained by costly real estate—faces dissolution within a vast cloud in which all the world's books will eventually reside as digital files to be downloaded instantly title by title wherever on earth connectivity exists, and printed and bound on demand at point of sale one copy at a time by the Espresso Book Machine[1] as library-quality paperbacks, or transmitted to electronic reading devices including Kindles, Sony Readers, and their multiuse successors, among them most recently Apple's iPad. The unprecedented ability of this technology to offer a vast new multilingual marketplace a practically limitless choice of titles will displace the Gutenberg system with or without the cooperation of its current executives.

Digitization makes possible a world in which anyone can claim to be a publisher and anyone can call him- or herself an author. In this world the traditional filters will have melted into air and only the ultimate filter—the human inability to read what is unreadable—will remain to winnow what is worth keeping in a virtual marketplace where Keats's nightingale shares electronic space with Aunt Mary's haikus. That the contents of the world's libraries will eventually be accessed practically anywhere at the click of a mouse is not an unmixed blessing. Another click might obliterate these same contents and bring civilization to an end: an overwhelming argument, if one is needed, for physical books in the digital age.

Amid the literary chaos of the digital future, readers will be guided by the imprints of reputable publishers, distinguishable within a worldwide, multilingual directory, a function that Google seems poised to dominate—one hopes with the cooperation of great national and university libraries and their skilled bibliographers, under revised world copyright standards in keeping with the reach of the World Wide Web. Titles will also be posted on authors' and publishers' own Web sites and on reliable Web sites of special interest where biographies of Napoleon or manuals of dog training will be evaluated by competent critics and downloaded directly from author or publisher to end user while software distributes the purchase price appropriately, bypassing traditional formulas. With inventory expense, shipping, and returns eliminated, readers will pay less, authors will earn more, and book publishers, rid of their otiose infrastructure, will survive and may prosper.

This future is a predictable inference from digitization in its current stage of development in the United States, its details widely discussed in the blogosphere by partisans of various outcomes, including the utopian fantasy that in the digital future content will be free of charge and authors will not have to eat.

Digitization will encourage an unprecedented diversity of new specialized content in many languages. The more adaptable of today's general publishers will survive the redundancy of their traditional infrastructure but digitization has already begun to spawn specialized publishers occupying a variety of niches staffed by small groups of like-minded editors, perhaps not in the same office or even the same country, much as software firms themselves are decentralized with staff in California collaborating online with colleagues in Bangalore and Barcelona.

The difficult, solitary work of literary creation, however, demands rare individual talent and in fiction is almost never collaborative. Social networking may expose readers to this or that book but violates the solitude required to create artificial worlds with real people in them. Until it is ready to be shown to a trusted friend or editor, a writer's work in progress is intensely private. Dickens and Melville wrote in solitude on paper with pens; except for their use of typewriters and computers so have the hundreds of authors I have worked with over many years.

In preliterate cultures, the great sagas and epics were necessarily communal creations committed to tribal memory and chanted under priestly supervision over generations. With the invention of the alphabet, authors no longer depended on communal memory but stored their work on stone, papyrus, or paper. In modern times, communal projects are limited mainly to complex reference works, of which Wikipedia is an example. Though social networking will not produce another Dickens or Melville, the Web is already a powerful resource for writers, providing conveniently online a great variety of updated reference materials, dictionaries, journals, and so on instantly and everywhere, available by subscription or, like Google search and Wikipedia, free. Most time-sensitive reference materials need never again be printed and bound.

Informed critical writing of high quality on general subjects will be as rare and as necessary as ever and will survive as it always has in print and online for discriminating readers. Works of genius will emerge from parts of the world where books have barely penetrated before, as such works after Gutenberg emerged unbidden from the dark and silent corners of Europe. Gutenberg's press, however, did not give Europe, with its tight cultural boundaries, a common tongue. Digitization may produce a somewhat different outcome by giving worldwide exposure to essential scientific and literary texts in major languages: Rome redux, while translators will still find plenty of work.

The cost of entry for future publishers will be minimal, requiring only the upkeep of the editorial group and its immediate support services but without the expense of traditional distribution facilities and multilayered management. Small publishers already rely as needed upon such external services as business management, legal, accounting, design, copyediting, publicity, and so on, while the Internet will supply viral publicity opportunities of which YouTube and Facebook are forerunners. Funding for authors' advances may be provided by external investors hoping for a profit, as is done for films and plays. The devolution from complex, centralized management to semi-autonomous editorial units is already evident within the conglomerates (for example, Nan A. Talese at Random House and Jonathan Karp at Hachette), a tendency that will strengthen as the parent companies fade. As conglomerates resist the exorbitant demands of best-selling authors whose books predictably dominate best-seller lists, these authors, with the help of agents and business managers, will become their own publishers, retaining all net proceeds from digital as well as traditional sales. With the Espresso Book Machine, enterprising retail booksellers may become publishers themselves, like their eighteenth-century forebears.

Traditional territorial rights will become superfluous and a worldwide, uniform copyright convention will be essential. Protecting content from unauthorized file sharers will remain a vexing problem that raises serious questions about the viability of authorship, for without protection authors will starve and civilization will decline, a prospect recognized by the United States Constitution, which calls for copyright to sustain writers not primarily as a matter of equity but for the greater good of public enlightenment.

Some musicians make up for lost royalties by giving concerts, selling T-shirts, or accompanying commercials. For authors there is no equivalent solution. Refinements of today's digital rights management software, designed to block file sharing, will be an ongoing contest with file sharers who evade payment for themselves and their friends, often in the perverse belief that "content wants to be free"—much as antiviral software is engaged in a continuing contest with hackers. Unauthorized file sharing will be a problem but not in my opinion a serious one, perhaps at the level that libraries and individual readers have always shared books with others.

These and other solutions will emerge opportunistically in response to need, as such solutions usually have. It is futile at this early stage, however, to anticipate the new publishing landscape in detail or to specify the rate of evolution, which will be sporadic and complex, or the future role of traditional publishers as digitization advances along a ragged and diverse front, while publishers, writers, and readers adapt accordingly. Timing will be apparent only in retrospect.

So far I have attempted to foresee the digital future in instrumental terms. There is also a moral dimension, for we are a troublesome species with a long history of self-destruction. The industry that Gutenberg launched eventually made possible wide distribution of Montaigne, Shakespeare, and Cervantes, to say nothing of Babar the Elephant and The Cat in the Hat. But his technology also gave us The Protocols of the Elders of Zion, Mein Kampf, and the nonsense that turned Pol Pot in Paris from a mere fool into a mass murderer. Digitization will amplify our better nature but also its diabolic opposite. Censorship is not the answer to these evils.

Digital content is fragile. The secure retention, therefore, of physical books safe from electronic meddlers, predators, and the hazards of electronic storage is essential. Amazon's recent arbitrary deletion of Orwell's 1984 at its publisher's request from Kindle users who had downloaded it suggests the ease with which files can be deleted without warning or permission, an inescapable hazard of electronic distribution.[2] In Denmark music downloaded by subscription self-destructs when the subscription expires. So does my annual subscription to the online Oxford English Dictionary unless I renew it. Much other reference material that is usually time-sensitive and for that reason need never be printed and bound is already sold by renewable subscription. If I were a publisher today I would consider a renewable rental model for all e-book downloads—the "lending library" technique of the Depression era—that more accurately reflects the conditional relationship, enforced by digital rights management software, between content provider and end user.

I would like to add a few words about the evolution of my own interest in digitization. From the beginning of my career I have been obsessed with the preservation and distribution of backlist—the previously published books, still in print, that are the indispensable component of a publisher's stability and in the aggregate the repository of civilizations. In this sense, it is fair to say that book publishing is more than a business. Without the contents of our libraries—our collective backlist, our cultural memory—our civilization would collapse.

By the mid-Eighties I had become aware of the serious erosion of publishers' backlists as shoals of slow-moving but still viable titles were dropped every month. There were two reasons for this: a change in the tax law that no longer permitted existing unsold inventory to be written off as an expense; but more important, the disappearance as Americans left the cities for the suburbs of hundreds of well-stocked, independent, city-based bookstores, and their replacement by chain outlets in suburban malls that were paying the same rent as the shoe store next door for the same minimal space and requiring the same rapid turnover.

This demographic shift turned the book business upside down as retailers, unable to stock deep backlist, now demanded high turnover, often of ephemeral titles. Best-selling authors whose loyalty to their publishers had previously been the norm were now chips in a high-stakes casino: a boon for authors and agents with their nonrecoverable overguarantees and a nightmare for publishers who bear all the risk and are lucky if they break even. Meanwhile, backlist continued to decline. The smaller houses, unable to take these risks, merged with the larger ones, and the larger ones eventually fell into the arms of today's conglomerates.

To offset the decline of backlist I launched in the mid-Eighties the Reader's Catalog, an independent bookstore in catalog form from which readers could order 40,000 backlist titles by telephone. The Internet existed but had not yet been commercialized. The Reader's Catalog was an instant success, confirming my belief in a strong worldwide market for backlist titles. But I had underestimated the cost of handling individual orders and concluded, with my backers, that if we continued our losses would become intolerable. The Internet was now available commercially. Amazon bravely took advantage of it and in the beginning suffered the losses that I feared. But by this time I had begun to hear of digitization and its buzzword, disintermediation, which meant that publishers could now look forward to marketing a practically limitless backlist without physical inventory, shipping expense, or unsold copies returned for credit. Customers would pay in advance for their purchases. This meant that even Amazon's automated shipping facilities would eventually be bypassed by electronic inventory. This was twenty-five years ago. Today digitization is replacing physical publishing much as I had imagined it would.

Relatively inexpensive multipurpose devices fitted with reading applications will widen the market for e-books and may encourage new literary forms, such as Japan's cell-phone novels. Newborn revolutions often encourage utopian fantasies until the exigencies of human nature reassert themselves. Though bloggers anticipate a diversity of communal projects and new kinds of expression, literary form has been remarkably conservative throughout its long history while the act of reading abhors distraction, such as the Web-based enhancements—musical accompaniment, animation, critical commentary, and other metadata—that some prophets of the digital age foresee as profitable sidelines for content providers.

The most radical of these fantasies posits that the contents of the digital cloud will merge or be merged—will "mash up"—to form a single, communal, autonomous intelligence, an all-encompassing, single book or collective brain that reproduces electronically on a universal scale the synergies that occur spontaneously within individual minds. To scorn a bold new hypothesis—the roundness of the earth, its rotation around the sun—is always a risk but here the risk is minimal. The nihilism—the casual contempt for texts—implicit in this ugly fantasy is nevertheless disturbing as evidence of cultural impoverishment,[3] more offensive than but not unrelated to the assumption of e-book maximalists that authors who spend months and years at their desks will not demand physical copies as evidence of their labors and hope for posterity.

The huge, worldwide market for digital content, however, is not a fantasy. It will be very large, very diverse, and very surprising: its cultural impact cannot be imagined. E-books will be a significant factor in this uncertain future, but actual books printed and bound will continue to be the irreplaceable repository of our collective wisdom.

I must declare my bias. My rooms are piled from floor to ceiling with books so that I have to think twice about where to put another one. If by some unimaginable accident all these books were to melt into air leaving my shelves bare with only a memorial list of digital files left behind I would want to melt as well for books are my life. I mention this so that you will know the prejudice with which I celebrate the inevitability of digitization as an unimaginably powerful, but infinitely fragile, enhancement of the worldwide literacy on which we all—readers and nonreaders—depend.

Notes

[1]A project that I helped found.

[2]See also Amazon's more recent attempt to block sales of books by a major publisher because of a pricing dispute.

[3]For a critical account of this view, see Jaron Lanier, You Are Not a Gadget: A Manifesto (Knopf, 2010), pp. 26, 46.

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Jan 8, 2010

Mullahs, Guards, and Bonyads: An Exploration of Iranian Leadership Dynamics

An Exploration of Iranian Leadership Dynamics

Cover: Mullahs, Guards, and Bonyads: An Exploration of Iranian Leadership Dynamics

By: David E. Thaler, Alireza Nader, Shahram Chubin, Jerrold D. Green, Charlotte Lynch, Frederic Wehrey

The Islamic Republic of Iran poses serious challenges to U.S. interests in the Middle East, and its nuclear program continues to worry the international community. The presidential election of June 2009 that returned Mahmoud Ahmadinejad to power and led to broad protests and a government crackdown presents yet another cause for U.S. concern. Yet the U.S. ability to “read” the Iranian regime and formulate appropriate policies has been handicapped by both a lack of access to the country and the opacity of decisionmaking in Tehran. To help analysts better understand the Iranian political system, the authors describe

  • Iranian strategic culture, including the perceptions that drive state behavior
  • the informal networks, formal government institutions, and personalities that influence decisionmaking in the Islamic Republic
  • the impact of elite behavior on Iranian policy formulation and execution
  • factionalism, emerging fissures within the current regime, and other key trends.

The authors observe that it is the combination of key personalities, networks based on a number of commonalities, and institutions — not any one of these elements alone — that defines the complex political system of the Islamic Republic. Factional competition and informal, back-channel maneuvering trump the formal processes for policymaking. The Supreme Leader retains the most power, but he is not omnipotent in the highly dynamic landscape of Iranian power politics. The evolving role of the Islamic Revolutionary Guard Corps, the vulnerability of the elite “old guard” to challenge, and the succession of the next Supreme Leader are key determinants of Iran's future direction. In light of complexities in the Iranian system, U.S. policymakers should avoid trying to leverage the domestic politics of Iran and instead accept the need to deal with the government of the day as it stands. Moreover, they must take as an article of faith that dealing with Iran does not necessarily mean dealing with a unitary actor due to the competing power centers in the Islamic Republic.

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Dec 28, 2009

As books go beyond printed page to multisensory experience, what about reading?

Little Digital Video Book coverImage by droidman via Flickr

By Monica Hesse
Monday, December 28, 2009; C01

The mysterious man looks completely wrong to me.

In the text of conspiracy thriller "Embassy," an online novel by Richard Doetsch, the character is described as "a starkly thin fellow with a protruding Adam's apple." My brain goes: Alan Rickman!

But when I click on the chapter's accompanying video, the man is younger, tanner, scruffier. He's dressed like he should be bumming clove cigarettes at a concert, not spying on the Greek Embassy.

What I'm reading is a Vook -- a video/book hybrid produced in part by Simon & Schuster's Atria Books. Interspersed throughout the text are videos and links that supplement the narrative. In one chapter, the Greek ambassador receives a mysterious DVD, and readers must click on an embedded video to learn what's on it. In another, kidnapper Jack ominously tells his hostage that he's going to prove that he means business.

"How are you going to do that?" Kate asks.

"Are you squeamish?" Jack replies.

Below that dialogue, a little box encourages readers to "SEE WHAT HAPPENED NEXT" by clicking the play button.

(What happened next, in a comically foreboding scene: Jack grabbed Kate's hand and threatened to chop off her fingers with a kitchen knife.)

youtube link includedImage by junehug via Flickr

It's a dizzying experience, reading Vooks. But they represent just a few examples of a new genre that has been alternatively dubbed v-books, digi-books, multimedia books and Cydecks, all with essentially the same concept: It's a book . . . but wait, there's more!

There will certainly be more of them. The first six books of text/Web hybrid "The 39 Clues" have nearly 5 million copies in print, and nearly 700,000 registered users for the site. A seventh book will be released in February. "The Amanda Project," released this fall, is set to be an eight-book series. Brad Inman, founder of Vook, said that his company will release as many as 200 titles next year -- a goal made more feasible by the relative cheapness of producing his online-only books. "It's very inexpensive in scale. We're talking thousands of dollars, not even tens of thousands of dollars" for each project.

Is a hybrid book our future? Maybe. "As discourse moves from printed pages to network screens, the dominant mode will be things that are multi-modal and multilayered," says Bob Stein, founder of the Institute for the Future of the Book. "The age of pure linear content is going to pass with the rise of digital network content."

Predicting the eventual death of the traditional novel sounds practically heretical. But keep in mind that the genre has actually existed in English for only about 300 years, and that experimentation and evolution have always been a part of the way we tell stories.

Perhaps the folly isn't in speculating that the book might change, but in assuming that it won't.

Choose your adventure

The bells and whistles in hybrid books are endless. In "The Sherlock Holmes Experience" -- one of six books, including "Embassy," published by Vook since the company launched in October -- two classic Arthur Conan Doyle stories are annotated with video clips of historians sharing Holmesian trivia. Hyperlinks pepper the text, sending readers to Wikipedia pages explaining old-fashioned terms.

grave of Sir Arthur Conan DoyleImage via Wikipedia

In "The Amanda Project," a young-adult series launched earlier this fall, three teens investigate the disappearance of a mutual friend, primarily in a book but also on a companion Web site, where readers are encouraged to upload their own "clues" to Amanda's presence. Some contributions will be incorporated into the second book, due out in February.

In "Skeleton Creek," another work for tweens, the narrative alternates between the written diary of Ryan, a housebound teen trying to investigate strange occurrences in his home town, and the video missives of his best friend, Sarah. Ryan -- and the reader -- access Sarah's transmissions by logging onto a Web site with various passwords, provided at the end of each chapter.

Myebook, which helps users self-publish books online, is flexible with the definition of "book," allowing text to be mashed up with video and applications.

These hybrid books "truly [are] groundbreaking, and I don't use that word lightly," says David Levithan, a Scholastic editor who worked on "Skeleton Creek" as well as "The 39 Clues," a series involving an elaborate online game. "It's expanding the notion of what storytelling can be."

If readers visit every hyperlink, watch every video and play every game, it is possible for the experience of consuming a single book to become limitless -- a literal neverending story. It's also possible for the user to never read more than a few chapters in sequence, before excitedly scampering over to the next activity.

Hybrid books might be the perfect accessory for modern life. They allow immediate shortcuts to information. They feel like instant gratification and guided, packaged experiences. What they don't feel like, at least in certain examples, is reading.

Envision, for a moment, what it feels like to delve into your favorite book. Picture losing yourself in the fictional world for hours on end -- the way the characters sound in your mind, the way unfamiliar references give you pause. What is a nosegay, anyway?

If you could see the authoritative version of a character right away, without waiting for the movie version, would you?

If a floral dictionary were just a click away, would you interrupt your reading to visit it?

Would these abilities represent a breakthrough, the sort of enhanced involvement that book lovers have always dreamed of? Or would they tamper with our imaginations, completely changing the experience of reading?

Can you imagine?

It's not coincidence that many current hybrid books are aimed at kids -- the first generation of "digital natives" who, we're repeatedly told, feel stark naked without a cellphone, iPhone and a couple of laptops strapped to their persons.

"What they really love is staying in that world," says Lisa Holton of Fourth Story Media, which packaged "The Amanda Project." The non-text components "give them a way to dive even further. When you hang out with kids and you watch what they're doing, we as adults can't even begin to understand their relationships with technology." Holton left a job in traditional publishing to found Fourth Story and explore new forms of storytelling.

But what happens to the traditional reading experience, the one involving a fat novel, a fireplace and a cup of tea?

"It's very common for [a 15-year-old] to read, but have her phone there and her computer there," says Patrick Carman, who wrote "Skeleton Creek" and one volume of "The 39 Clues." "For her, having this multimedia experience is like sitting down with a cup of tea."

He directs me to his niece, an exceedingly generationally aware 14-year-old named Madison Wilcox. "The books with the videos, I think they keep our interest better," Madison says. "The generation we're in is always using technology. [Books like 'Skeleton Creek'] are easy to blend in with our lifestyles."

Inman of Vook says it would be a mistake to compare products like his with traditional texts, the two genres being independent entities.

"We don't pretend that it's a book because it's not." With the Vook, "there's an expectation that you're not gulping the text," as you would in a traditional novel. Instead, Inman says, "you're tasting the text," dipping in and out of it at will.

One wonders how this tasting affects the way we read -- that shortening of attention span we've read so much about.

"When you go from one task to another, your brain does slow down," says Earl Miller, a professor of neuroscience at MIT. "Your brain has to reconfigure its cognitive network. For the first few seconds [of the new activity] there's an increase in errors," in how well we comprehend what we're reading or viewing.

"The way the brain handles language is very different than the way it handles pictures," says Clifford Nass, a Stanford professor who studies multitasking. "One of the ways is pacing. You read a book and you stop whenever you'd like. When you watch a video, you can't do that. It goes on." It's active entertainment vs. passive.

Retention and comprehension are moot points when the narrative in question is, for example, "Embassy." Missing a paragraph or two won't affect a reader's understanding of the plot; missing a plot point or two isn't a life-or-death scenario.

In reading "Embassy," what concerned me wasn't that my brain was getting overworked but that my imagination wasn't.

The pleasure of reading has always been its uniquely transporting experience: the way a literary world might look completely different to two readers. One might picture the fictional heroine as a Natalie Portman type; the other might see her as Freida Pinto.

But when the "true" representation -- like clove cigarette guy -- is immediately provided to the reader, imaginary worlds could be squelched before they have a chance to be born. Reading Vooks made me feel a little like a creative slacker. Maybe there was no point in imagining what someone or something looked like, if I was going to be helped along anyway.

David Sousa is a consultant in educational neuroscience and author of "How the Brain Learns to Read." In his classroom research, he says, "we find that kids are not able to do imagining and imaging as exercises" as well as they once did, "because video's doing the work for them. . . . They still have the mental apparatus for that, the problem is they're not getting the exercise."

Reading has traditionally been one of imagination's personal trainers, and while skipping from medium to medium might provide other benefits (catering to a variety of learning styles rather than just the visual reader's), it might adversely affect the way we create our own worlds.

Of course, some hybrid books' companion activities seem designed to exercise creativity. Readers of "The Amanda Project," for example, are encouraged to contribute to the site's catalogue of reader-submitted stories in a sort of organized fan fiction compendium. Madison, the 14-year-old, says that though she's never been what you would call a bookworm, the multimedia aspects of her uncle's books have made her more willing to read other things.

And Stein of the Institute for the Future of the Book says that whatever assumptions we might make now about hybrid books, there's a good chance they won't hold true when the medium grows up. "Things like the Vook are trivial. We're going to see an explosion of experimentation before we see a dominant new format. We're at the very beginning stages" of figuring out what narrative might look like in the future. "The very, very beginning."

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Dec 3, 2009

Google and the New Digital Future - NYRB

search inside books via Scriblio and Google Bo...Image by Scriblio via Flickr

by Robert Darnton

November 9 is one of those strange dates haunted by history. On November 9, 1989, the Berlin Wall fell, signaling the collapse of the Soviet empire. The Nazis organized Kristallnacht on November 9, 1938, beginning their all-out campaign against Jews. On November 9, 1923, Hitler's Beer Hall Putsch was crushed in Munich, and on November 9, 1918, Kaiser Wilhelm II abdicated and Germany was declared a republic. The date especially hovers over the history of Germany, but it marks great events in other countries as well: the Meiji Restoration in Japan, November 9, 1867; Bonaparte's coup effectively ending the French Revolution, November 9, 1799; and the first sighting of land by the Pilgrims on the Mayflower, November 9, 1620.

On November 9, 2009, in the district court for the Southern District of New York, the Authors Guild and the Association of American Publishers were scheduled to file a settlement to resolve their suit against Google for alleged breach of copyright in its program to digitize millions of books from research libraries and to make them available, for a fee, online. Not comparable to the fall of the Berlin Wall, you might say. True, but for several months, all eyes in the world of books—authors, publishers, librarians, and a great many readers—were trained on the court and its judge, Denny Chin, because this seemingly small-scale squabble over copyright looked likely to determine the digital future for all of us.

Google has by now digitized some ten million books. On what terms will it make those texts available to readers? That is the question before Judge Chin. If he construes the case narrowly, according to precedents in class-action suits, he could conclude that none of the parties had been slighted. That decision would remove all obstacles to Google's attempt to transform its digitizing of texts into the largest library and book-selling business the world has ever known. If Judge Chin were to take a broad view of the case, the settlement could be modified in ways that would protect the public against potential abuses of Google's monopolistic power.



That Google's enterprise (Google Book Search, or GBS) threatened to become an overweening monopoly became clear when the Department of Justice filed a memorandum with the court warning about the likelihood of a violation of antitrust legislation. More than four hundred other memorandums and amicus briefs also provided warnings about mounting opposition to GBS. In the face of this opposition, Google and the plaintiffs petitioned the court to delay a hearing that was scheduled for October 17 so that they could rework the settlement. Judge Chin set November 9 as the deadline when the new version of the settlement would be unveiled.

The great event turned out to be a dud, however. At the last minute, Google and the plaintiffs asked Judge Chin to grant another extension. He gave them four more days, so the witching hour finally took place not on November 9 but on a less auspicious date, Friday the 13th.

Why did the deadline look so monumental? The terms of the settlement will have a profound effect on the book industry for the foreseeable future. On the positive side, Google will make it possible for consumers to purchase access to millions of copyrighted books currently in print, and to read them on hand-held devices or computer screens, with payment going to authors and publishers as well as Google. Many millions more—books covered by copyright but out of print, at least seven million in all, including untold millions of "orphans" whose rightsholders have not been identified—will be available through subscriptions paid for by institutions such as universities. The database, along with books in the public domain that Google has already digitized, will constitute a gigantic digital library, and it will grow over time so that someday it could be larger than the Library of Congress (which now contains over 21 million catalogued books). By paying a moderate subscription fee, libraries, colleges, and educational institutions of all kinds could have instant access to a whole world of learning and literature.

But will the price be moderate? The negative arguments stress the danger that monopolies tend to charge monopoly prices. Equally important, they warn that Google's dominance of access to books will reinforce its power over access to other kinds of information, raising concerns about privacy (Google may be able to aggregate data about your reading, e-mail, consumption, housing, travel, employment, and many other activities). The same dominance also raises questions about both competition (the class-action character of the suit could make it impossible for another entrepreneur to digitize orphan works, because only Google will be protected from litigation by rightsholders) and commitment to the public good. As a commercial enterprise, Google's first duty is to provide a profit for its shareholders, and the settlement leaves no room for representation of libraries, readers, or the public in general.

An extensive argument about the pros and cons could turn Judge Chin's courtroom into a forum where the full range of literary questions would be dramatized by debate. No courtroom drama took place on November 13, because nothing happened other than the filing of the revised settlement (call it GBS 2.0 to distinguish it from the original version of the settlement, GBS 1.0). But the filing was important in itself, because it marked the denouement of years of hard bargaining over who would control a large stretch of the digital landscape that is just now coming into view.

To be sure, GBS 2.0 will certainly be challenged by groups and individuals who claim they were not fairly represented in the classes of authors and publishers. The case may take years to work its way through the courts. Meanwhile, Google will go on digitizing; and as the legal situation evolves, it may devise further revisions of the settlement (GBS 3.0, GBS 4.0, etc.). The public will have to study all the new versions of the settlement in order to stay informed about the rules of the game while the game is being played. Who ultimately wins is not simply a matter of competition among potential entrepreneurs but an issue of enormous importance to everyone who cares about books, even though the public is reduced to the role of spectator.

As the first step toward a resolution, the filing on November 13 suggested just how far Google is willing to go in modifying the original settlement. Google's spokesman hailed the revised version as providing all the benefits and none of the defects that one could expect. According to Dan Clancy, Google Books engineering director,

Google is still very excited about this agreement.... We look forward to continuing to work with rightsholders from around the world to fulfill our longstanding mission of increasing access to all the world's books.

But the arguments in favor of the reworked settlement came from Google and the plaintiffs who will become its collaborators if their deal is approved. To get a sense of the counterarguments, one can survey the memorandums and amicus briefs that were filed with the court before November 9.[*] The protests that came from Europe are the most revealing. Although they concentrate on issues of special importance to foreigners—above all, the incompatibility of American class-action suits with protection for copyright holders who are not Americans—they show how the settlement was seen from a distant perspective.

The governments of France and Germany sent memorandums urging the court to reject the settlement "in its entirety" or at least insofar as it applied to their own citizens. Far from seeing any potential public good in it, they condemned it for creating an "unchecked, concentrated power" over the digitization of a vast amount of literature (this according to the French memorandum) and for doing so (according to the Germans) by a "commercially driven" agreement negotiated "in secrecy...behind closed doors by three interested parties, the Authors Guild, the Association of American Publishers and Google, Inc."

In contrast to the commercial character of Google's enterprise, both governments stressed the higher values represented by their national literatures. The French began their memorandum by invoking Pascal, Descartes, Molière, Racine, and other writers through Camus and Sartre, while the Germans summoned up the line that led from Goethe and Schiller to Heinrich Böll and Günter Grass. Each country cited the number of its Nobel Prize winners in literature (France sixteen, Germany twelve), and each buttressed its case by other evidence of high-mindedness. The Germans insisted on Gutenberg and his contribution to "the spread of science and culture." The French cited the Declaration of the Rights of Man and of the Citizen from 1789 and the Universal Declaration of Human Rights of 1948 in order to uphold the principle of "free access to information" threatened by Google's "de facto monopoly."

It is an odd spectacle: foreign governments defending a European notion of culture against the capitalistic inroads of an American company, and submitting their case to Judge Denny Chin of the Southern District Court of New York. What Judge Chin, who grew up in Hell's Kitchen in a family of poor Chinese immigrants (and won a scholarship to Princeton University) made of it all is difficult to say. He did not tip his hand on November 13, nor did he say when a hearing would take place.

In playing the cultural card, the French emphasized the unique character of the book, "a product unlike other products"—its power to capture creativity, to enrich civilization, and to promote diversity, which, they claimed, would be compromised by Google's commitment to commercialization. The Germans spoke in the name of "the land of poets and thinkers," but they laid most stress on the right of privacy, which, they argued, Google could threaten by keeping data on who reads what. Both governments then listed a series of subsidiary arguments, which were nearly the same, word for word—unsurprisingly, as they engaged the same legal counsel:

1. The settlement gives Google a virtual monopoly over orphan works, even though it has no claim to their copyrights.
2. Its opt-out provision, which means that authors will be deemed to have accepted the settlement unless they notify Google to the contrary, violates the rights inherent in authorship.
3. It contains a most-favored- nation clause—i.e., a provision that prevents a potential competitor from obtaining better terms than Google in any new commercial uses of the digitized books. The terms of such future enterprises will be determined by a Books Rights Registry composed exclusively of representatives of the authors and publishers. The Registry will keep track of copyrights and cooperate with Google in setting prices.
4. It gives Google the power to censor its database by excluding up to 15 percent of the digitized works.
5. Its guidelines for pricing will promote Google's commercial interests, not the good of the public, through the use of algorithms created by Google according to Google's secret methods.
6. It favors secrecy in general, hiding audit procedures, preventing the public from attending meetings in which Google and the Registry will discuss library matters, and even requiring Google, the authors, and publishers to destroy all documents relevant to their agreement on the settlement.

Above all, the French and Germans condemned the settlement for sanctioning the "uncontrolled, autocratic concentration of power in a single corporate entity," which threatened the "free exchange of ideas through literature." To drive the point home, they both noted that Google has taken in more revenue than many countries—$22 billion in 2008.

The same points were made in a hearing before the European Commission on September 7 by the three most important international library associations: the International Federation of Library Associations (IFLA), the European Bureau of Library, Information and Documentation Associates (EBLIDA), and the Ligue des Bibliothèques Européennes de Recherche (LIBER). In nearly identical testimony, all three stressed the danger that "a large proportion of the world's heritage of books in digital format will be under the control of a single corporate entity."

It was Google's sheer power that gave them pause. They summoned up the prospect of a digital library of 30 million books that would cost $750 million, and they concluded that Google would exercise something close to hegemony in the book world. Therefore, they appealed to the European Commission to defend the interests of the public by preventing Google from abusing its power.

Some of these associations submitted similar statements to the New York court. So did hundreds of other groups and individuals. After reading through them, one has the impression of a sense of alarm gathering force and rising to the surface of a collective consciousness. As November 9 approached, it did indeed promise to be a day of destiny, when we would begin to see into our digital future and to face the forces that might determine it.

Where was the Department of Justice in the pre-November debate? It, too, submitted a memorandum for the court's consideration. After months of investigating potential violations of antitrust law, the DOJ pointed to two serious difficulties: the possibility of horizontal agreements among authors and publishers to restrict price competition and the further restriction of competition by Google's de facto exclusive rights to the digital distribution of orphan works. Competitors would be denied access to millions of orphans, the memorandum argued, because they would not enjoy the immunity from suits for copyright infringement that the settlement reserves to Google. Moreover, the settlement's equivalent of a most-favored-nation clause would prevent all competitors from obtaining better terms than Google's even if they could put together an attractive database. Instead of expatiating in the European manner on the danger to the world's literary heritage, the DOJ warned about something concrete: the "risk of market foreclosure."

What to do? Far from sounding hostile to Google Book Search, the DOJ acknowledged its potential to promote the public good and announced, "The United States does not want the opportunity or momentum to be lost." The memorandum could therefore be read as a prescription for a way to save the settlement. It concentrated on the most hotly debated provisions—those concerning the approximately seven million out-of-print but in-copyright books, especially orphans—and it suggested the following changes:

1. Require rightsholders of out-of-print books to participate in the settlement by opting in instead of operating from the assumption that they had agreed to participate unless they opted out. The shift to an opt-out default would remove Google's control of books whose rightsholders cannot be identified or do not come forward.
2. Do not distribute the profits from the sale of orphan books to the parties of the settlement (Google and the authors and publishers) but rather use the money to fund a thorough search for the unknown rightsholders, and extend the search for a long period of time.
3. Appoint guardians to protect the interests of orphan rightsholders by serving on the registry.
4. Find some mechanism by which potential competitors to Google could gain access to orphan works without exposure to suits for infringement of copyright. Presumably this would require legislation by Congress.
5. Prevent Google from using out-of-print works in new commercial products without the owner's permission.

The DOJ said it would continue to investigate the potential violation of antitrust laws, and it concluded with an unambiguous imperative: "This Court should reject the Proposed Settlement in its current form...." But its recommendations for an improved settlement did not go far—not nearly as far as those suggested by the governments of France and Germany and many other critics. The DOJ said nothing about the need for monitoring prices, protecting privacy, preventing censorship, providing representation of the public on the registry, and requiring full disclosure of Google's secret data. If the DOJ encouraged Judge Chin to take a broad view of the settlement, it did not open the door wide.

The revised settlement, or GBS 2.0, released on November 13, reads as if Google and the plaintiffs took most of their cues from the DOJ's memorandum. In a clear concession to the DOJ's criticisms, GBS 2.0 provides that the Registry will include a court-appointed guardian to represent the rightsholders of unclaimed books. But it does not switch to an opt-out provision for such rightsholders—that is, according to GBS 2.0, any owner of a copyright of an out-of-print book would be deemed to accept the settlement unless he or she rejected it. Because millions of books, primarily orphans, fall into this category where the rightsholders are difficult to identify, Google alone would enjoy immunity from prosecution by any rightsholders who might turn up—and the exposure to litigation, which could easily reach $150,000 per title, would be enough to prevent any competitor from entering the field. Instead of providing a solution to the problem of orphan works, GBS 2.0 leaves Google in command of their commercialization, pending eventual legislation by Congress.

As to revenue from the sale of orphan books, GBS 2.0 complies with the DOJ's insistence that the money not go to Google and the plaintiffs. Instead it will be spent in efforts to search for the unidentified rightsholders; and after being held for ten years, the funds will be distributed to charities determined by court order.

GBS 2.0 also follows the DOJ's recommendation to abandon the most-favored-nation clause. Google's competitors would be able to license out-of-print books in retail enterprises —that is, in selling individual works to consumers—although Google would maintain exclusive control of the institutional subscriptions to its gigantic database.

How the price of those subscriptions will be set remains unclear. GBS 2.0 has some language explaining the way its pricing algorithm will work, but it contains no effective mechanism to prevent price gouging, no provision for an antitrust consent decree that would empower a public authority to monitor prices, and no way to protect the public from excessive pricing should Google be taken over in the future by rapacious speculators.

GBS 2.0 does not therefore differ in essentials from GBS 1.0. It largely ignores the objections of foreign governments, except in one crucial respect: it partly meets the objections by narrowing the scope of GBS to books published in the United States and to countries with similar legal systems—that is, the United Kingdom, Canada, and Australia. Google will not display books published in countries like France and Germany, and it will give them representation on the Registry to protect their interests. Just what proportion of unclaimed works will now be excluded from the settlement by this concession remains to be clarified.

Will these concessions be enough to mollify Google's critics outside the Department of Justice who are not parties to the settlement? Probably not, judging from a statement issued on November 13 by the Open Book Alliance, whose members include Microsoft, Amazon, and Yahoo:

By performing surgical nip and tuck, Google, the AAP [Association of American Publishers], and the AG [Authors Guild] are attempting to distract people from their continued efforts to establish a monopoly over digital content access and distribution; usurp Congress's role in setting copyright policy; lock writers into their unsought registry, stripping them of their individual contract rights; put library budgets and patron privacy at risk; and establish a dangerous precedent by abusing the class action process.

What then is the outlook for the future? No one can predict the fate of the settlement as it bounces from court to court; but if the public good should be taken into consideration, one can imagine two general solutions to the problems posed by GBS, one maximal, one minimal.

The most ambitious solution would transform Google's digital database into a truly public library. That, of course, would require an act of Congress, one that would make a decisive break with the American habit of determining public issues by private lawsuit. The legislation would have to settle ancillary problems—how to adjust copyright, deal with orphan books, and compensate Google for its investment in digitizing—but it would have the advantage of clearing up a messy legal landscape and of giving the American people what they deserve: a national digital library equal to the needs of the twenty-first century. But it is not clear how Google would react to such a buyout.

If state intervention is deemed to go too far against the American grain, a minimal solution could be devised for the private sector. Congress would have to intervene with legislation to protect the digitization of orphan works from lawsuits, but it would not need to appropriate funds. Instead, funding could come from a coalition of foundations. The digitizing, open-access distribution, and preservation of orphan works could be done by a nonprofit organization such as the Internet Archive, a nonprofit group that was built as a digital library of texts, images, and archived Web pages. In order to avoid conflict with interests in the current commercial market, the database would include only books in the public domain and orphan works. Its time span would increase as copyrights expired, and it could include an opt-in provision for rightsholders of books that are in copyright but out of print.

The work need not be done in haste. At the rate of a million books a year, we would have a great library, free and accessible to everyone, within a decade. And the job would be done right, with none of the missing pages, botched images, faulty editions, omitted artwork, censoring, and misconceived cataloging that mar Google's enterprise. Bibliographers—who appear to play little or no part in Google's enterprise—would direct operations along with computer engineers. Librarians would cooperate with both in order to assure the preservation of the books, another weak point in GBS, because Google is not committed to maintaining its corpus, and digitized texts easily degrade or become inaccessible.

This digitizing process could be subsidized as part of the Obama administration's economic stimulus, and the overall cost, spread out over ten to twenty years, would be manageable, perhaps $750 million in all. Meanwhile, Google and anyone else would be free to exploit the commercial sector. The national digital library could be composed from the holdings of the Library of Congress alone or, failing that, from research libraries that have not opened all their collections to Google.

Perhaps other solutions could be devised. If the court did not resolve the Google Book Search problem on November 13, at least it had the potential to concentrate minds and stimulate public debate. We are agreed that something must be done to improve the nation's health. Why not do something to enrich its culture?

—November 18, 2009

Notes

[*]The texts of the documents can be consulted at dockets.justia.com/docket/court-nysdce/case_no-1:2005cv08136/case_id-273913.


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Nov 12, 2009

Malaysia needs to publish a lot more books

KinokuniyaImage by anuarsalleh via Flickr

KUALA LUMPUR: Malaysia has to publish 27,000 book titles for general reading annually to become a knowledgeable, developed nation and be on par with other developed countries, Malaysian Book Contractors Association president Hasan Hamzah said.

He said that in countries like Japan, South Korea, Denmark, Sweden and Germany, the ratio was 1,000 book titles to one million population.

“Hence, Malaysia has to publish 27,000 book titles for its 27 million population a year, ” he said, adding that such an effort would require an allocation of about RM300mil.

Hasan said Malaysia currently published only 10,000 book titles every year, which is still very far behind from that in other developed countries.

Most of the books found in Malaysia were imported ones, despite the country having many local intellectuals, including about 350,000 teachers and more than 40,000 lecturers or professors, who were capable of producing books for general reading, he added.

However, he said it was not because there were not many locally-published books that reading was not a habit among Malaysians.

“Actually, our society loves knowledge and they like to read. It is because the books are expensive to buy,” he added.

Hasan said that for a book to be sold cheap, a publisher had to print at least 3,000 copies for each book title a year.

There would be an increase in demand for general books with support from the government through provision of special allocations for publication of books for general reading, he added. -- Bernama

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Nov 2, 2009

'Audacity to Win': Excerpt by Plouffe on Obama Campaign - Time

ST LOUIS - OCTOBER 02:  Obama campaign manager...Image by Getty Images via Daylife

In a new memoir, The Audacity to Win, David Plouffe, who managed Barack Obama's 2008 race for the White House, provides a behind-the-scenes glimpse inside the campaign. Here's an excerpt:

Agony. Ecstasy.
The [Rev. Jeremiah] Wright story broke on a Wednesday and exploded across the media landscape the next day. We decided Obama had to take questions about [his former pastor's inflammatory sermons] head-on on Friday, in a series of lengthy national cable interviews.

There was one not-so-minor complication. He was already scheduled to do editorial boards that Friday afternoon with both Chicago papers about [real estate developer and political fundraiser] Tony Rezko, two hours each, no holds barred. Given no choice but to address Wright as soon as possible, we decided we would do a round of TV interviews on him directly after the Rezko boards. It shaped into quite a day, like having your legs amputated in the morning and your arms at night. The question was whether we would still have a heartbeat at the end of the day.

It was chaos and, quite frankly, frightening. I felt as if the wheels could easily spin off our whole venture. Still, Obama was the pillar of reassurance. "Don't worry, guys," he told us while making some notes on a stack of pages. "I can do more than one thing at a time. We are taking the trash out today. It won't be fun, but we'll be stronger for it." (See pictures of Barack Obama's convention-week journey.)

Obama handled everything with brilliance. The editorial boards, though grueling, went well. Obama called me after 11 that night, while my wife and son were sleeping. "So we survived. But it feels really unsatisfying — to me and I'm sure to voters ... I think I need to give a speech on race and how Wright fits into that. Whether people will accept it or not, I don't know. But I don't think we can move forward until I try."

Obama had raised giving a race speech back in the fall. At the time, [chief strategist David] Axelrod and I strenuously disagreed, believing that we should not inject into the campaign an issue that for the most part was not on voters' minds. Now we were in a much different situation. I agreed that a traditional political move — the damage-control interviews we had done that night — would not be enough. But a speech was fraught with peril. If it was off-key, it could compound our problems.

He said he was calling Axelrod and that after they spoke, he wanted me to call Ax and then conference him in; the three of us would make a decision. "I don't want a big meeting or conference call on this," he told me. "You and Ax and I will arbitrate this. But know this is what I think I need to do, so I'll need an awfully compelling argument not to give this speech. And I think it needs to be delivered in the early part of next week and I need to write most of it."

Axelrod and I spoke a few minutes later and quickly decided we were in uncharted waters. There was no playbook for how to handle something like this. It had never been done. "He really wants to give this speech," I concluded. "And I don't have a better idea. Do you?"

"Nope," said Ax. He began to fret about the real-world problems of constructing the most important speech of our candidacy largely on the fly, when I interrupted: "Look, let's call him and walk through it," I said. "We'll do the speech, but he has to own the reality of the time constraints." (See TIME's best pictures of Barack Obama.)

We conferenced Barack in. "So?" he asked. "What's the deal?" We told him we agreed with the speech but that it was going to be hard to put it together.

"Tonight is Friday — well, Saturday morning," I said. "We have to give this speech no later than Tuesday. You have a full schedule in Pennsylvania the next three days. It has already been publicized. If we start canceling events, it will fuel the impression that we're panicked and our candidacy is on the rocks."

From The Audacity to Win: The Inside Story and Lessons of Barack Obama's Historic Victory by David Plouffe. ©2009 by Plouffe Strategies Ltd. To be published by Viking, a member of Penguin Group (USA) Inc.

Watch a video of Barack Obama at the Inauguration.

Watch a video of Barack Obama's last days on the campaign trail.

"No, we can't cancel anything," Obama interjected. "But I already know what I want to say in this speech. I've been thinking about it for almost 30 years. I'll call [lead campaign speechwriter Jon Favreau] in the morning and give him some initial guidance. And I'll work on this during downtime in the hotel room each night. Don't worry. Even if I have to pull all-nighters, I can make this work." We were flying by the seat of our pants. Somehow we had to keep faith that it would come together. (See pictures of Barack Obama's speechwriting team.)

The speech received rave reviews from political commentators and spawned hundreds of positive editorials. More important, voters also responded very well to it. Wright still bothered them — but they respected how Obama dealt with the issue.

As was the case throughout the campaign, most people did not watch the speech on TV. It was delivered on a Tuesday morning, when just about everyone was at work. Instead, people watched it online, most of them on YouTube, either as it was happening or at their leisure later that day or in the days to come. Eventually, tens of millions of voters saw the speech through various outlets.

This marked a fundamental change in political coverage and message consumption, and one that will only continue as technology rolls forward: big moments, political or otherwise, will no longer be remembered by people as times when everyone gathered around TVs to watch a speech, press conference or other event. Increasingly, most of us will recall firing up the computer, searching for a video and watching it at home or at the office — or even on our cell phones.

Filling Out the Ticket
What surprised me at [our first meeting to discuss the vice presidency] was that Obama was clearly thinking more seriously about picking Hillary Clinton than Ax and I had realized. He said if his central criterion measured who could be the best VP, she had to be included in that list. She was competent, could help in Congress, would have international bona fides and had been through this before, albeit in a different role. He wanted to continue discussing her as we moved forward.

We met again a couple of weeks later in mid-June and winnowed the list down to about 10 names.

At our next meeting, we narrowed the list down to six. Barack continued to be intrigued by Hillary. "I still think Hillary has a lot of what I am looking for in a VP," he said to us. "Smarts, discipline, steadfastness. I think Bill may be too big a complication. If I picked her, my concern is that there would be more than two of us in the relationship." (See pictures of the last days of Hillary Clinton's campaign.)

Neither Ax nor I were fans of the Hillary option. We saw her obvious strengths, but we thought there were too many complications, both pre-election and postelection, should we be so fortunate as to win. Still, we were very careful not to object too forcefully. This needed to be his call.

We had initially received a lot of advice from many of her supporters to pick her, though this "advice" was perhaps more accurately described as subtle pressure. Their fervor was abating a bit every day, though, helped by Hillary's comments that this was Obama's decision and that he should be left to make it.

In early August, he narrowed his list down to three names: Senator Joe Biden of Delaware, Senator Evan Bayh of Indiana and Governor Tim Kaine of Virginia. Hillary did not make the last cut. At the end of the day, Obama decided that there were just too many complications outweighing the potential strengths. But I gave him a lot of credit for so seriously thinking about his fierce former rival. Some in the Clinton orbit thought we gave Hillary short shrift. My view is that any serious consideration was somewhat surprising given all the complications and the toxicity during the primary campaign.

Shortly before he took off for Hawaii and his much needed vacation, Obama asked Axelrod and me to meet with the three finalists. [We] pieced together a schedule that had us departing Chicago at 5:30 a.m. for Wilmington, Del., to meet with Biden; then on to West Virginia, where Bayh was vacationing with his family; and then to Virginia to meet with Kaine.

See pictures of Joe Biden.

Read "Biden's Debate Challenge: Keeping His Mouth Shut."

The [first] meeting started with Biden launching into a nearly 20-minute monologue that ranged from the strength of our campaign in Iowa ("I literally wouldn't have run if I knew the steamroller you guys would put together"); to his evolving views of Obama ("I wasn't sure about him in the beginning of the campaign, but I am now"); why he didn't want to be VP ("The last thing I should do is VP; after 36 years of being the top dog, it will be hard to be No. 2"); why he was a good choice ("But I would be a good soldier and could provide real value, domestically and internationally"); and everything else under the sun. Ax and I couldn't get a word in edgewise.

It confirmed what we suspected: this dog could not be taught new tricks. But the conversation also confirmed our positive assumptions: his firm grasp of issues, his blue collar sensibilities and the fact that while he would readily accept the VP slot if offered, he was not pining for it. (Read "The Five Faces of Barack Obama.")

Later that day, we met with the two other finalists. Bayh's answers to our questions were substantively close to perfect, if cautiously so. Seeing Bayh right after Biden provided some interesting contrasts and comparisons. Listening to Bayh talk, I thought, There's no way this guy will color outside the lines. Biden may cross them with too much frequency. Biden will probably end up having more range — he can reach higher heights but could cause us real pain. Bayh's upside and downside are probably the closest spread of the three. As the day grew long, we headed to Richmond, our last stop. We appreciated [Kaine's] opening remarks. "I'd be honored to be picked," he told us. "But I have to assume I'm at the bottom of the list right now. I'll try to explain why I think I'd be a good pick, both for the campaign and after we win, but just know that I won't have an ounce of hard feelings or disappointment if I don't get picked. I signed on to this team in the beginning — all I want is for Barack to be elected President."

There was no great way to explain putting someone with no foreign policy experience a heartbeat away from the presidency. If we chose him, we would need to rely on some of the same language we had used on this issue as it related to Obama — judgment vs. Washington experience, a new foreign policy vision vs. the status quo — but doubling down would make it twice as tough for us to roll this boulder uphill.

Later that night, we held a conference call with Obama to brief him on our day. "Well, it sounds like you both are for Biden, but barely," he said. "I really haven't settled this yet in my own mind. It's a coin toss now between Bayh and Biden, but Kaine is still a distinct possibility. I know the experience attack people will make if we pick him. But if that really concerned me, I wouldn't have run in the first place. My sense is — and you tell me if the research backs this up — that Barack Hussein Obama is change enough for people. I don't have to convince people with my VP selection that I am serious about change." (Read "Obama and Biden's Chemistry Test.")

The selection of his vice-presidential nominee was his first presidential decision. On the evening of Aug. 17, he called Ax and me with the news. "I've decided," he said. "It's Biden."

Hurricane Sarah
We always knew this day was going to be a pain in the ass. Coming right off the exhaustion and exhilaration of our convention week and VP pick, we would have to jump right in and deal with theirs. But [Sarah] Palin was a bolt of lightning, a true surprise. She was such a long shot, I didn't even have her research file on my computer, as I did for the likely McCain picks. I started Googling her, refreshing my memory while I waited for our research to be sent.

Her story was original: small-town mayor takes on the Establishment and wins a governor's race; she was an avid hunter, sportswoman and athlete, and her husband was a champion snowmobiler; she had just given birth to a child with Down syndrome. A profile out of a novel, I thought.

But here she was, joining our real-life drama. And given her life story, coupled with the surprise nature of her selection, her entrance to the race would be nothing short of a phenomenon. But I also thought it was a downright bizarre, ill-considered and deeply puzzling choice. The one thing every voter knew about John McCain's campaign at this point was that it had been shouting from the rooftops that Barack Obama lacked the experience to be President.

Read "Behind Obama's Palin Strategy."

Read "How Did Sarah Palin Write Her Memoir So Fast?"

With the Palin pick, he had completely undermined his core argument against us. Worse yet for McCain, he would look inherently political in doing so. His strength — and the threat he posed to us — was rooted in the fact that many independent voters believed in his maverick reputation and believed he did not make his decisions by prioritizing politics over what was right. I guessed people would view this choice more as a political stunt than a sound, reasoned call.

On our 6:00 a.m. conference call, [campaign adviser] Anita Dunn, who had worked against Palin in Alaska in the 2006 governor's race, warned us that she was a formidable political talent — clearly not up to this moment, she assured us, but bound to be a compelling player and a real headliner in the weeks ahead. (Read about where Sarah Palin is going next.)

"All of you on this call should watch video of her debates and speeches," Dunn counseled. "The substance is thin, but she's a very able performer. And her story is out of Hollywood. She'll be a phenomenon for a while."

Our strategy with the other potential picks would've been to start by saying that choice X subscribed to the same failed George Bush policies as John McCain; all they were doing was doubling down on the same out-of-touch economic policies that had hurt American families. We should have gone the same way with Palin. But McCain had been haranguing us for months about experience, and we were incredulous that he had picked someone with zero foreign policy experience who had been a governor for less time than Obama had been a Senator. Galled by the hypocrisy, we moved in a more aggressive direction.

We decided to call McCain on the experience card directly. The value was in making him look political — essentially, calling him full of shit — and we sent out a release making that clear. "Today, John McCain put the former mayor of a town of 9,000 with zero foreign policy experience a heartbeat away from the presidency," it read. "Governor Palin shares John McCain's commitment to overturning Roe v. Wade, the agenda of Big Oil and continuing George Bush's failed economic policies — that's not the change we need; it's just more of the same."

Our statement immediately received an enormous amount of attention because it went right at her experience. The press clearly sensed heat and was eager to help drive the fight. Seeing the reaction, I began to think perhaps we had misfired. Obama clearly thought so. He called me from the air. "Listen, I just told this to Axelrod and [communications director Robert] Gibbs," he began. "I understand the argument you guys were trying to make. And maybe we should make it someday. But not today. We shouldn't have put out the first part of that statement. I want to put out another statement that simply welcomes her to the race, and I'll call her and congratulate her when I land." (Read a two-minute bio of Robert Gibbs.)

I didn't disagree but thought backtracking would only add to the sense in the press that perhaps Palin was a brilliant game-changing pick that had scrambled the race. Even the famously disciplined Obama campaign can't get its story straight — this would be the blowback. "Look," I told him, "simply say that you're adding your own personal voice, one principal to another." He acknowledged that he understood and would watch his words. "We'll send out a personal statement from you and Biden," I said, "but it's important you not suggest we misfired on the original statement. Don't throw the campaign under the bus."

But when he took a few questions from the press later that day, he proceeded to drive the bus right over us. "I think that, you know, campaigns start getting these hair triggers, and the statement that Joe and I put out reflects our sentiments," he said. Great, I thought, already imagining the heat we'd take on this. But all in all, I felt solid about our instincts. Despite our clumsiness, I still thought we had nailed, in the predawn hours, what this pick would mean over time.

Obama and I had a long talk late that afternoon to evaluate Palin. "I just don't understand how this ends up working out for McCain," he said. "In the long term, I mean. The short term will be good for them. But when voters step back and analyze how he made this decision, I think he's going to be in big trouble. You just can't wing something like this — it's too important."

"I think we just need to sit back and play our game," said Obama. "It actually won't be bad to be off-Broadway for a few days. We should just leave her out of the equation. This is a race between John McCain and me. To the extent we talk about Palin, I think it should be about the differences in our selection processes — it illuminates differences in how we'd make decisions in the White House."

Read "Plouffe to Democrats: Calm Down."

See David Plouffe as a 2009 TIME 100 finalist.

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